After arriving in Hollywood, Anna was tutored in English and taught Hollywood's film making technique. Unfortunately, Anna's first American production, Emile Zola's Nana (1934), was not successful at the box office, nor were her two subsequent Goldwyn films, We Live Again (1934) with Frederic March and The Wedding Night (1935), opposite Gary Cooper. Goldwyn reluctantly let her contract lapse. Personally, I think while Anna's performances were solid, the films themselves weren't exceptional, and American audiences were growing tired of European stars being transported to Hollywood. Anna had to walk in the footsteps Garbo and Dietrich, which probably didn't help matters either. Goldwyn's tutoring of Anna is mentioned in Cole Porter's 1934 song "Anything Goes" from the musical of the same name: "If Sam Goldwyn can with great conviction / Instruct Anna Sten in diction / Then Anna shows / Anything goes."
Rather that retreat back to Germany or Russia, probably impossible at the time anyway, Anna continued to work in Hollywood. In the 1940's she worked with Fox and Universal in films including The Man I Married (1940), So Ends Our Night (1941), again opposite Fredric March, They Came to Blow Up America (1943) with George Sanders, Three Russian Girls (1943), and Let's Live a Little (1948). In the 1950's she appeared in one film and had several television appearances. Her final film role was in The Nun and the Sergeant (1962).
Anna Sten died November 12, 1993 at the age of 84.
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Anna Sten - What do you think - Allure?